Saturday, January 07, 2006

Something About Us



The saying:”Life runs fast’” can hardly surprise anyone.
And after 50 it runs even faster.

But, it’s not a problem how fast it runs, but how much we do on the run.
A millionaire and a beggar have the same amount of time -24 hours, but the amount of work the do is different.

The year 2005 was very significant to me and brought a lot of good into my life.
I guess everyone has something positive to remember about this year.

I wish all who has never read my blog, and most probably never will,
A Happy New Year and all their dreams come true!

George

Tuesday, December 13, 2005

Docendo Discimus ( While teaching others we teach ourselves)















I live in a house where all things are too familiar to me that I can hardly notice anything new or unusual, especially after nearly eight years of living there.

But as it’s written in the online course: “You don't have to write a novel, you just need to take notes, observe, and write regularly.”

I totally agree with not writing a novel and not against taking notes, observing things and then writing regularly.

“So,” I say, “if you agree with all, what seems to be the problem, then?
Just, do it!”

It is also recommended “When you walk down the street near you home, try looking at it like you're a visitor and have never seen it before.
What things do you notice that has escaped your attention in the past?”
Walking around again and again:”Do this, don’t do that!”
--------
At that moment I somehow clearly saw why teachers are rarely do what they teach.
Teaching how to do and doing are two things that can’t go together!
Funny as it might sound but only a small amount of great players or masters were really able to raise talented followers. If they create and invest their time in doing, they have no time for teaching.

Sometimes I witnessed the scenes when masters could offer their annoying observes to see what they had been doing and try to imitate or repeat them.
Do you think it worked?
No, it didn’t.
Why?
Simple.

Imagine a painter who paints a picture and next to him stands his disciple who ties to do what his maestro is doing.
First, the painters are sensitive to anyone who looks at their labor from behind their shoulders and, God forbid, makes comments.

What is worse, an observer will inevitably start asking questions, or ask for explanations.
Who will ever answer them?
No way! The master needs involvement, concentration full attention.
Even a slight disturbance will tear a chain of his thoughts.

Okay, another example.
A writer.
Can a writer teach anyone how he does that, unless he interrupts his writing?
Interview? Hard, but possible, a short talk on TV, perhaps, but not teaching regularly.
Teaching is a process that is established according to a schedule of classes, seminars and the rest of learners’ curriculum activities.

A writer lives for writing because he cannot live without doing that.
He can live without food, family and most of other essentials. He cannot live without writing.
What if he is in the middle of the chapter and the sentences (as it is with me now), flow easily and naturally on the screen, and suddenly he realizes that in half an hour he’s got to start seminar at the university?

Great thoughts, as we all know, may well not come again…

Tuesday, November 29, 2005

George, I’ve got a question: " How can I start writing?"

George Rusky
November 2005

George, I’ve got a question: " How can I start writing?"

To start writing it is necessary to start doing it. Period.

What do all people love talking, thinking and, of course, writing about?
What is the number ONE subject for everyone?
What is in the centre of attention of every one all the time?
Yes, correct!
She and He.
Every one loves occupy her time with thinking, speaking and writing about HERSELF.

Let's start.

Step One.

Switch off all the phones you have, everything producing any noises, send anyone from your apartment, find a place, where you can concentrate.

Before you start working with the questions, realize the importance of the next stages of the whole process from the first to the last point.

Here's what you do.

You:
-think deeply about each question
-answer the questions honestly before your self
-try to find the essence, the real gist of the notions, without pretending to be better than you are
-formulate your thoughts in your mind
-put your thoughts on the paper, transforming them into the sentences as they appear in your heart. No Grammar/No Spelling.
-critically observe what you have written
-read loudly. Hear how it sounds.
-correct your text, asking yourself if you have been sincere
-finally, edit your text.

That's the way how you start writing. This IS my 'magic' formula.

Please, begin now. Write the answers to the questions below. No clichés, no banalities, no verses, only what you think with your own words.

1.I was brought into this world for which purpose?
-
-
-

2.What was I given that differs me from others?
-
-
-

3.From all that I have described at 2, how much/how many/to what extend I have already used or using or intend to use?
-
-
-

End of Step One.

That's not easy. I understand.

And it will not be much easier.

Writing is about GIVING, investing, devoting, serving.

Reading is about getting, but

Writing is about GIVING.

That's why people don't write messages/e-mails/let alone, letters.
Not because they are lazy. No!

They love getting. That's why.

And the last. If you feel like sharing with me what you will write, please do it. Some thoughts may be too private. You decide.

Anyway, I need your thoughts.

The deadline-...day, the ...th of ...ember. Why the dead line?
You will know in my next message.

As soon as you finish with the first step, we'll move forward.

Happy writing!

Thursday, November 17, 2005

George, I’ve got a question: “Reading English Books For Learning English. Your opinion?”

George Rusky
November 2005

George, I’ve got a question:
“Reading English Books For Learning English. Your opinion?”

In spite of a predicted answer “Yes, it certainly does help and will help…,”
I would rather say: ”It depends....”

Consider the following:

For a school learner where teachers follow the program, where a book for out-off-class reading is an element of the program,
it is good.
In a primary school it’s a book of adapted fairy tales or any other book for children.
In high or higher schools different levels of book for out-of-class reading are listed.
I’m a supporter of this reading.

Now, a university graduate with firm habits of learning various disciplines starts learning a foreign language, transforms her practice onto foreign language learning.
She buys a lot of books, follows a number of theories, among which her own occupies the main position, goes to various courses and changes the teachers, and so on and so forth…

But nothing works as quickly as she wants.

Then she thinks:
”I should learn a bigger vocabulary, I will read a book!”

In a book store she purchases a book or she finds appropriate book in a library, and full of good intentions starts reading carefully finding in a dictionary each unknown word.
After one or two pages she quits, simply stops reading.
A number of new words is overwhelming, writing the words in native language above the words in the text, doesn’t help much…

In fact, this kind of reading may give some information about the text, say for a purpose of general comprehension of the text.

But, I’m strongly against this kind of reading.

Friday, October 14, 2005

George, I've got a question: ”How do you choose a book for reading? Do you use any special methods for reading?”

October 2005

Let’s start with the cover of a book.

I believe, it reflects the author’s attitude towards his work.
Even today when the modern books are enveloped in covers that can hardly survive two or three readers,
there are still some works of the writers who believe that their novels will be read by more than one generation of booklovers.

On the contrary, the look of a tattered book will please the next library shelves’ explorer who may think:”Oh, that one’s been read by lots of folks.
I should read it too”
The first impression may be deceptive!

Here are some suggestions for selecting the reading you look for.

1. Before you come to a library ( not a book-store):

a) Carefully identify the area of your interest. What exactly you want to read.

b) Know your purpose of reading: pleasure, research, etc.

c) Have a list of the authors who wrote or write about your subject. What aspects of the problem they are dealt with in their works. Spend time for the research.

d) Get a general orientation of the authors and/or their works you think may suit your interest.

e) Choose a day and hours when there are fewer visitors in the library.

f) Prepare some change for Xerox-copying.

2. In the library:

a) Find a librarian who works in the section where you suppose to find the materials you need.

b) In details explain to her what you need. Show her the list you have prepared (see 1c above)

c) Let her know how important these materials are for you.

d) Get all you are advised plus anything you may find on the shelves.

e) Sit at a quiet place, get ready to work. (Don’t forget to switch off a mobile phone :-)

3. How to work with the book/books you have on a library table.

a) Place a book in front of you. Feel it, touch it, guess what the book is about.

b) Read the title, think if the title matches your subject.

c) Open it and read all the information on the first page esp. where and when it was published/republished.

d) Read the back cover of the book where there’s information about the writer and the resume.

e) Go through the dedications and acknowledgements: you will know how the writer himself values his labor. (The same and deeper information you may get from a foreword) Try not to skip it.

f) Read the contents and make a general impression of the manual.

4. How to read the book.

Reading is a very serious process. Depending on the type of literature, you must vary the approach and attitude to the whole process of reading.

Some general observations before we get to the a, b, c points.

A book, any book, is an act of an individual or group men’s creative activity that may be compared to, say, delivering a baby, building a house, tailoring a suit or anything else that a human being may produce.It’s an act of passion, hard labor, doubts, long chain of successes and failures, physical and mental efforts, sleepless nights, nerves breakdowns and so on and so forth.

It’s, after all, an act of a high responsibility of the writer before the readers of today and the readers of tomorrow.
Nearly all authors rewrite their sentences, paragraphs, even whole chapters several times, before their final versions are ready to meet the first readers.

After these comments, you may look at a book with more respect.

So, back to the reading.

a) Start with what directly related to your topic: go to the topic that is the closest to your theme.

b) Always read with a pensile in your hand and tick the phrases, thoughts, ideas that attract your attention, shed the light on the subject from another POV and so on.

c) On the sheet of paper fix accurately your thoughts that come into your head while you are reading.

d) Pay a special attention to the author’s ideas you may use in your work. Put them in brackets and write down a page on your sheet with notes: you will easily find them later.

e) Compare your own thoughts with the writer’s. Place exclamation/question marks next to the writer’s text. You’ll come back to them later.

Saturday, October 08, 2005

George, I've got a question: "Nobody wants to hear my opinion. Why?"

I guess, it may happen.

Here are some of my observations, why.

First.
People just don’t need anybody’s opinion.
Second.
They’ve already formed their own outlook.
Third.
They are afraid to hear an opinion, different from theirs.
Fourth.
They don’t wish to change the opinion they already have.
Fifth.
They had spent years to create their ‘small world’, it may be destroyed by another, even a better built theory. That scares them.
Sixth.
They aren’t able to defend their way of seeing the things and can be easily suppressed by a more skillful orator.
Seventh.
They like living with the thought (illusion?) that their ideas are correct.

Thursday, September 15, 2005

Some Observations About the Thoughts that Come to Us.

Observations about the ideas and thoughts visiting us.
(Some Thoughts from the Time of My Forced Break.)

George Rusky
September 2005

When a thought comes to us we have a choice: to accept it for further contemplation or to reject.
One should know, however, that all the thoughts are sent to us with a specific purpose, we are in charge for taking them as the ones worth our attention or the ones to neglect.

Consider also that the thought left without notice may never come again and, therefore lost forever.

Hundreds of times we’ve heard about lost wonderful opportunities in different areas of our lives that could have changed our lives if only we were clever enough to take them seriously.

Does it sound familiar?

The same with the thoughts: they come according to the caprice of the Sender who doesn’t care weather we are tuned to receive these thoughts or not.

Should we then be surprised that all philosophers, art folks, writers and the like, daily and nightly, wherever they are and whatever they do have something to write on?

Recommendations:

-Keep you ‘antenna’ ready for any thoughts you may receive. Carefully listen to the signal from the ‘transmitter’.
-Always, even at night, have something to write on and to write with. You never know when the thoughts may come.
-While making notes, try to fix the thought as fully as possible: your frame of mind at the moment the thought had come, the place, the time, other details.
-Never divide the thoughts, when they come, onto important or time-wasting. Trust and respect the Sender.
-During the day when you are involved in other things, try to concentrate on what you do, block the access to any thoughts unrelated directly to what you are busy with at the moment.
-If the thought visits you when you are busy with something else, come back to it later when you can spend more/enough time for the thoughts.